I am answering Zerbgames' private message here publicly because for posterity reasons this hopefully helps not just them but everybody looking into the topic
Vanishing Point
A "vanishing point" in drawing/construction is the point where all parallel lines meet, giving a 2D-image a sense of 3D perspective, e.g. like this
Since your logo already looks somewhat "in perspective" I thought you might want to emphasize it, so that it appears as if viewed from some angle. I can see you already adjusted some slants to meet the vanishing point -- but not all of them, which make your current draft still seem a bit confusing. Here is a pic where I drew the correct perspective lines meeting at the vanishing point in green, the ones that don't match are red.
I adjusted the lines on the lower shape to match up and that's the result:
As it is apparent now, the top shape looks strangely out of place. That's the one downside of drawing with a vanishing point is, is that you have to go all in.
So if perspective doesn't suit your vision, opt for straight lines and as as little different angles as you can.
The importance of limitations
The more you constrain yourself, the more harmonic the result will be. E.g. allow yourself only one thickness, one angle (e.g. 45°) and so on. Print designers usually create a "design raster" of a page first, something that limits where they allow themselves to place stuff on a page. When looking at the result e.g. in a magazine, you won't see the rules or the grid governing its design but you feel that everything's working together and looks like a pleasing whole.
The same should apply to any kind of design work: Limit yourself, make up some gird, some rules, some aspects you try adhering to. I do this with a pencil on grid paper because its much easier to see what's working without spending much longer on a computer.
So for your logo, I tried myself coming up with some rules and that's the result. It's just my interpretation and far from perfect, and I urge you to play yourself with the rules and how to work with them to arrive at something you like.
There were my rules:
- Only horizontal lines and 45° slants are allowed
- Each element has to have the same thickness
- The space between the elements should be the same as their thickness (or multiples thereof)
Here's my grid with a 2:1 ratio superimposed, so it's plain how everything follows the rules.
While this seems rather strict and limiting, it's exactly what makes everything "belong together" and creates a harmonic result, esp. when you are after geometric stuff. What's also interesting is the fact that no matter how tight the rules are, there's still enough leeway for creativity.
The Story
Finally, there's one very important aspect, which I never really addressed directly: What's the story behind your logo? A good logo usually is more than just a bunch of letters combined, they often offer another layer of meaning symbolizing what the company/service is about.
E.g. the Amazon logo shows an arrow, symbolizing something like "from us to you", but it's also a smile, each Amazon parcel smiles!
One of my all-time favorite logos is of post-production company "The Mill":
At first glance it's just a couple of horizontal bars, following a very restrictive design rule-set. But it's still able to express two things: It looks a stylized mill or factory, with the two bard to the right as "chimneys", and it's also the letters "mill": Starting from the left, the first three bars are a lower-case M, the fourth is a lower-case i without the dot, the chimneys are two lower-case Ls. Genius!
This one's also nice:
Looking straight at it, you only see two tees (= the wooden thingies you stick in the grass to put you golf ball on) so that says "golf" fair enough. But then again, what are the three vertical lines underneath? You already saw it, didn't you: The negative space between the tees creates the shape of a rocket, the vertical lines help this by indicating speed or its exhaust.
Negative space is pretty popular in logo-design, actually. Ever noticed that in the FedEx logo, the negative space between the E and the X are an arrow pointing from left to right?
Neat!
So I hope this helps any interested in designing something memorable and great looking
Hope that was helpful and all the best!